Imperfect Justice in the Imperfect Archive: Uncovering Extrajudicial Black Resistance in Richmond’s Civil War Court Records
As the guest editors and article authors of the December 2022 JCWE special issue, "Archives and Nineteenth-Century African American History" demonstrate, there is no perfect archive. Historians must therefore read every imperfect archive with a particular perspicacity, to uncover the histories so many archives were meant to suppress or erase.[1] ...
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Guest Editors’ JCWE December 2023 Note: Researching Nineteenth-Century African American History
In 1985, The Historic New Orleans Collection purchased one of the few known nineteenth-century paintings of a free woman of color in the United States. François Fleischbein’s Portrait of a Free Woman of Color, completed in 1837, is mounted in an elaborate and expensive goldleaf frame. The woman wears a ...
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The Story Continues: Women and the American Civil War
Today we share the first Field Dispatch from our latest addition to the correspondent team, Angela Esco Elder. Angela is an Assistant Professor of History at Converse College in South Carolina. She is currently revising her dissertation on Confederate widowhood for publication; her dissertation won the SHA C. Vann Woodward ...
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The Blood Is in the Details: When Scars of Slavery Are Markers of Freedom
On this first day of December, we share our first Field Dispatch from Martha S. Jones, the Society of Black Alumni Presidential Professor and Professor of History at Johns Hopkins University. Her most recent work is Birthright Citizens: A History of Race and Rights in Antebellum America, forthcoming in 2018 from ...
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CSI:Dixie: A Grim Archive of Slavery’s Violence
On March 14, 1846, Abraham Jones, a coroner in Edgefield County, South Carolina, filed a report concerning the death of a female slave named Rose. According to the coroner, five days earlier a man named Robert Moore visited the home of Michael Long, a slaveholder who claimed Rose as his ...
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